First of all I work with tapestries and textiles. Often, my tapestries are kept in the weavingframe of steel and placed freestanding on the floor when exhibited, this to point out the workprocess and history that lies behind the work. Tapestries have a history of storytelling made up by sequences, such as comics are built up today. Tapestry is also sequentially through the weaving technique, where weft thread goes in one direction and is built sequence by sequence.
For me tapestry is linked to the 1970`s and the fight for equal rights for men and women. This has been important in my choosing of the tapestry as my medium. I love the way I can get several layers of meaning in my works because of this, and also by using the popular culture we are surrounded by as motifs. The fast becomes slow in the tapestry- because of the time it took to build it up.
I try to focus on gender, trauma reactions, and relational balances of power in my works. Lately I have also worked with the idea of being an artist mother, and the fear of indirectly harming ones children by living a public role.
I got my first book to write in from my grandma when I was nine. I wrote and drew my whole youth through. Somewhere on the road from there I became a secret writer.
So I have been publishing anonymously or under pseudonym since I was twenty.
I also have a passion for songlyrics, there too I have had my secret ways(in writing). Since I was thirteen I have had a interest in songlyrics. And I was sixteen the first time my lyrics was in use.
These days I still write. My texts vary from song/poplyrics and scripts to textcollages.
I write about love, life, traumatization, pets, and sometimes people that stand out by their choices.
I like the small and strange and melancollic, in lyrics as in life.
Though randomly writing and sending and still seeing myself as a textninja, I dont send texts away anymore without an agreement and a talk. And I work alone. But I am open to small projects, email me.
On the use of pseudonyms Id not recommend it to anyone, though left alone, anonymity could give people the oppurtunity to exploit you. Its sad but true.
ON BIRDS AND ANIMALS
Over several years I have worked with the horror of the unexpected as a theme in tapestry.
As an extension of this, I have tried out to weave small and large birds and animals, and thought of them as a place where children potentially could try out their own stories about being little /big/ in or without power
I am also a dedicated teacher in sewing, making and playing with textiles, and in re-use of textiles. Since autumn 2018 I have worked as a teacher in workshops for youth and children alongside my own project.
I love future-friendly thinking when it comes to teaching in re-use of textiles, and have also a social focus when I teach.
The last years I have been working on the comic-novel-project Immersed in Another World. It has received funding from Kunstløftet.
This photo is me doing my best to smile